Pleasureboaters - ¡Gross!

In support of their debut album ¡Gross!, Seattle’s Pleasureboaters have played in front of audiences all over the nation, receiving widespread acclaim and praise for their live show. Brought to us through Don’t Stop Believin’ Records, their group rings of post-hardcore classics, with sounds ranging from Quicksand to Sonic Youth, but while their reputation precedes them, the album itself seems too cluttered, tedious, and noisy to consider for casual listening. With vocals reminiscent of early Fugazi, guitar riffs and bass lines comparable to the simple, upbeat sounds of other post-hardcore/punk inspired bands like These Arms Are Snakes or Drive Like Jehu, theres just not much to make this band stand out among an ever-growing crowd.

Pleasureboaters live

Not to say that ¡Gross! doesn’t have some damn catchy moments. Though slightly repetitive, songs such as Leopard Print Babyware and Andolou offer some really cool intervals and energetic tones; however, the other songs on the record are overwhelming. The cliched and repetitive riffs become grating. In their efforts to achieve a new undefined sound they end up more like an incoherent mixture of groups from the genre.

If you see Pleasureboaters in your local show listings, consider checking them out for a loud, crazy, hopefully good time. I can see songs such as State of the Union and Elliptical Realism being highly energetic and crowd inspiring; however, most of the material on ¡Gross! isn’t grabbing enough to take seriously through speakers in a stereo or a pair of headphones. At least this time around Pleasureboaters prove that energy doesn’t always make up for mediocrity.

Pleasureboaters - Deck Hand Paterson

Pleasureboaters - Elliptical Realism

Buy this record (itunes)